The renowned Choreographer cum Director Ahmed Khan, has now turned Producer with his film Paathshala. The film will be co-produced by his wife Shaira Khan and will be directed by Milind Uke.

“Paathshala revolves around kids and is set in the school campus. It has actors like Shahid Kapur, Nana Patekar, Ayesha Takia in essential characters. The film has child artists like Swini Khare (Cheeni Kum), Ali Haji (Partner) and Dwij Yadav (Nanhe Jaisalmer) in pivotal roles.” informs Ahmed Khan.

I saw this on a forum…not sure if it is real or faked !!!

Actress Ayesha Takia, soon to be seen in new Bollywood film ‘Sunday’ joined BBC Asian Network’s Love Bollywood show to talk about her new film and what she thinks of her sexy image.

She told ‘Love Bollywood’ presenters Raj&Pablo that semi-nudity, in her opinion, is not something for family viewing and likes Indian women to be respected for their elegance and dignity.

The actress who has been voted the sexiest Indian woman in the world, was asked by Raj&Pablo if she would wear a bikini if Hollywood came calling.

Yun Hota To Kya Hota, English: If This Happened Then What Would Have Happened) is a 2006 Bollywood film. The film directed by Naseeruddin Shah stars Konkona Sen Sharma, Ayesha Takia, Jimmy Shergill, Paresh Rawal, Boman Irani, Saroj Khan and Irfan Khan.
Synopsis
Spoiler warning: Plot and/or ending details follow.

The film revolves around four very different people whose lives are entwined…

Tilottima Das - Punj (Konkona Sen Sharma) is happily married to the man of her dreams Hemant (Jimmy Shergill) who she met via the internet. However their time together is cut short when Hemant is wanted in the USA to attend to his job. Determined to make sure he does not go, Tilottima goes to extreme lengths to stop him from going…

Ayesha Takia is shooting down roles that require her to wear skimpy clothes or get intimate with her co-star because she doesn’t want to embarrass her family and boyfriend.

Ayesha is aware that her more uninhibited colleagues are benefiting while she refuses to get bold on camera.

“But I don’t mind losing out on roles. At least 10 years from now I don’t want to look back and cringe at anything. I’ve a family and a boyfriend. And I don’t want to embarrass anyone,” Ayesha, who was recently seen in “Sunday” in a clean role, told IANS.

The bosom has changed its shape! It’s not being pushed up, anymore! But being allowed a bit of natural gravity. Too much of a boob thing, is a turn-off. The official breast of 2008, is soft, sublte and natural. And not, pushed up, in your face!

We’re living in an age, not many know the real shape of the breast women carry under their kurtas. After all, we’re living in a culture of Wonderbra. And we’re over-exposed to the divas of the cleavage cult like Pamela Anderson, Sherlyn Chopra, who have made flat-chested women extinct!

Tattooing is not only a rage, but also an obsession for many

DAVID Beckham did it using the Devanagri script to profess his love for wife Victoria, Angelina Jolie had her ex-husbands name tattooed on her body, while Ayesha Takia and Mandira Bedi…. sport them for reasons of their own.

It sports your attitude, explains your philosophy or might even have a positive effect on your life. No we’re not talking about books, clothes or the latest gizmos.

Leena Mogre lets out the secret behind the hot bods of Bollywood.

When John Abraham relegated cardio workouts to the “only for girls” category, Leena Mogre, his personal trainer at the time, decided to take him to task for it. “I gave him a really rigorous cardio workout and in 20 minutes he was panting. Now he knows!” laughs Leena. She did the same thing with Ranbir Kapoor when she first started training him. “He was very irregular and to teach him a lesson, I gave him a very intense workout. He didn’t even survive 15 minutes. He was serious from that day onwards,” she recalls, which is evident from the toned abs (and, since it was censored we can only assume, his butt) that we see him flaunting in Saawariya.

Cast : Gul Panag, Ayesha Takia, Shreyas Talpade
Direction : Nagesh Kukunoor

Blend simplicity with substance and sashay down Bollywood’s box office with a deafening uproar: That seems to be director Nagesh Kukunoor’s secret formula of filmmaking. After Iqbal, that soul-stirring testament to human endeavour, he comes up with Dor, a film that touches your soul once again and makes you end up doing Salaam Namaste to the brave new spirit that’s currently making desi cinema that biggest bet in the field of entertainment. And no, we aren’t talking of the blockbuster variety only; the kind which dazzles with its crorepati budget and its Hollywod-ishtyle SFX. Here, we’re saluting the New Wave of New Age creativity which is completely homegrown and borrows nothing from nowhere. Iqbal, Omkara, Munnabhai and now Dor… just to name a few.